I investigate the intersections of graphic and editorial design with collective knowledge production, exploring how alternative editorial spaces function as sites of co-elaboration. My research engages with the economy of contribution, framing design not merely as a mode of production but as a critical tool for reflecting on the existence and circulation of contemporary books, typographies, and editorial dispositifs.
Through collaborative projects and collective publications, I examine how editorial practices mediate material constraints, modes of transmission, and social dynamics, situating design as both a medium and a lens for inquiry. My practice oscillates between material experimentation—particularly with paper, printmaking, and bookmaking—and the orchestration of contributive systems where content, format, and readership intersect.
Professional engagements span graphic and editorial design for institutions, curatorial projects, and collaborative exhibitions, such as Fondation Cartier pour l’Art Contemporain, Centre Georges Pompidou, MAM – Musée d’Art Moderne de Paris, Fondation Louis Vuitton, Éditions B42, Musée d’Archéologie Nationale, Google, France Nature Environnement, Phyto, Lierac.