COBALT
06.2024
research & editorial
This work reports on the research process conducted in the context of the Reverse Engineering project, which "in the form of live research, socially and politically questions a technology, a machine, or an infrastructure, from which various installation art devices emerge, allowing the said technology to be readable, disconcerting, or simply deserving of exploration." This research began in October 2023. The genesis of COBALT stems from a personal desire to confront the ecosystem formed by the three tools with which I work the most, my Mac, my iPhone and my AirPods from Apple.
Une poignée de graines
04.2024
research & editorial
A collaborative essay that challenges us to reconsider our history and our connection to the world. Eulalie Aries, Clément Belaubre, Sarah Delétain, Sarah Garraud, Olga Lesniewski, Rémi Mugnier, and I worked together on this piece, with the generous help of Alain Rodriguez and Vanina Pinter. It was produced for the Exemplaires 2024 biennial, hosted by the ESAD Valence.
mémoire - Expérience Papier
01.2023
research & editorial
Research on the relationship between the graphic designer and paper material, establishing a study of the main interactive properties of the material to renew the sensations generated by the creation, use, and reception of printed objects, through a return to artisanal production and printing practices.
Expérience papier, layout
01.2023
editorial
Overview of the layout of my research. I have endeavored to highlight the paper material through various graphic, typographic, and editorial choices, with the concept of usage and manipulation of the object at the core of my reflection.
Expérience Poche vol.01 - Le Horla
06.2023
research, print & editorial
How to harness the potential of the printed book to offer a renewed and interactive reading experience? 'Expérience Poche' seeks to provide a response to this question through a research endeavor focusing on various approaches to the utilization of paper material within renowned literary works.
Affiche - Eric Schrijver
11.2023
Screen printing & offset fade
Poster 40*60cm made in two offset gradient layers and one silkscreen layer for Eric Schrijver's conference at ESADHaR on Friday, 24.11.2023. The first two layers that make up the book were hand-printed with white and brown offset inks, pressed one by one using an old engraving press.
Livret éducatif - Musée d'Archéologie Nationale
06.2023
Riso printing
Booklet created in partnership with the National Archaeology Museum of Saint-Germain-en-Laye and Quintal Atelier, on the occasion of the renovation of their gallery focusing on the Paleolithic period.
I am Antoine Liberman, a master's student in Graphic Design with a focus on Editorial Design currently at ESADHaR (Ecole Supérieure d'Art et Design du Havre - Rouen). Great enthusiasm combining usability, functionality, and aesthetics to craft smart and impactful experiences.
I conducted research in 2022 during my DNMADe AGD (Augmented Graphic Design) on the relationship between the graphic designer and paper material, focusing on the ethical aspect of a return to craftsmanship. This entails moving away from industrialization and automation while embracing the values of craftsmanship and eco-responsibility. I attempted to find approaches that address the materiality of paper while offering new perspectives for graphic designers to create interactive experiences.
CV (2023)
This site was entirely designed and created by Antoine Liberman using HTML, CSS and JS.
WCC Carbon Rating: B
0.2g of CO2/view - websitecarbon.com
Cleaner than 76% of pages tested
Paris - Le Havre
liberman.antoine[at]gmail.com
+33782596989
instagram.com/antoineliberman